When choosing good fonts for logos, you should do so with the company’s personality in mind, making sure that you’ve designed something that will last, and that will be practically applicable to represent it in any occasion. Good logo fonts work in favor of the brand’s identity, and they ought to be both original and legible to distinguish it in any situation. According to a 2011 British Telegraph newspaper article, official merchandise, such as t-shirts and mugs emblazoned with Glaser’s design, generates more than $30 million a year, and the ESD receives a significant portion of the profits.When involved in a branding project, the priority task is to choose the best logo fonts possible to’ obtain an impressive result. Today, the New York State Empire State Development (ESD), New York’s chief economic development agency, holds the trademark to the “I Love New York” logo, and licenses its use. “You want to do things like that, where you feel you can actually change things.” “That’s what it should be,” he told graphic designer Chip Kidd in an interview in The Believer.
Glaser did the work entirely pro bono, in the name of helping the city rise again. On the back of an envelope, he had scribbled the logo that we know today, and after the concept hit a nerve for Wells Rich Greene, he proceeded to develop it further, stacking the characters and determining the typeface. Glaser was recruited by the Department for Economic Development to meet with Wells Rich Greene about logo options for the New York City campaign.ĭuring the meeting, Glaser pulled a crumpled piece of paper out of his pocket with a doodle he’d done during a recent cab ride. Enter Milton Glaser, whose portfolio up to that point included a portrait of Bob Dylan enclosed in the singer’s greatest hits album, the design of New York magazine which he founded in 1968, and the visual identity of the restaurant in the World Trade Center. They had a slogan (“I Love New York”), a jingle, and a television commercial highlighting Broadway theater. The agency soon established several central components of the campaign. The New York State Department for Economic Development tapped Madison Avenue advertising firm Wells Rich Greene to create a tourist-friendly campaign to encourage visitors to The Big Apple. Tourists stayed away from New York as a result of the negative publicity that followed. Crime was at an all-time high, and tourism was at an all-time low in 1975, President Ford denied federal assistance to save New York City from bankruptcy, and 1977 saw a widespread blackout that led to extensive looting and 4,500 arrests. New York was going through hard times in the 1970s.
Let’s dive into the history behind the creation of this iconic logo. One of the most widely distributed and imitated images in the world, the “I Love New York Logo”-consisting of an upper-case “I,” followed by a red heart symbol, and then the upper-case letters “N” and “Y,” set in the rounded slab serif typeface American Typewriter-was created by graphic designer Milton Glaser and first used in 1977 to promote the city and state.